Step I: Manual Botanical Augmentation

Previously discussed here at D.U.S. was the concept of designing spaces with trees equipped with walkable robotic technologies, or Solar Seeking Botanical Augmentation, drastically transforming the dynamicity of such a space.  Dezeen pointed us to a project which possesses the beginning qualities of the conception.

NL Architects created a "Moving Forest" by placing 100 trees in 100 shopping carts for the Urban Play event in Amsterdam, Netherlands.  The idea was based on a children's book in which a forest moves at night so people trapped in it can never escape!

I need to track down this book, an interesting concept to teach children, that the forest is a scary, alive place which could potentially hold you captive for life.  Nevertheless, the architects envisioned the mobile trees individually finding their way through the urban fabric, wheeled about by the homeless or late night bar hoppers, who in my experience are inherently attracted to rogue shopping carts.

Although yet to be robotic, and I stress YET, and provided the trees are able to survive and flourish within the confinements of a shopping cart (which their sure to not), the mobility of the trees does create an entirely new process of human interaction with spaces.  The perfect reading spot, created by a tree blocking the summer afternoon sun could be there one day and gone the next, or altered throughout the day to ensure ultimate spatial comfort.

In this manner, depending how the idea becomes manifested, the designers become more programmers and the visitors become the designers, modifying their surroundings for pleasure, boredom, or necessity.

{All Images via: Dezeen}

 

Related:  Solar Seeking Botanical Augmentation

Terra Preta | Agrarian Solutions | Satellite Cities

"Soil", an article in this month's National Geographic looks at the world's degradation of agricultural land and the problems associated as are population approaches 9 billion.

This year food shortages, caused in part by the diminishing quantity and quality of the world's soil, have led to riots in Asia, Africa, and Latin America.  By 2030, when today's toddlers have toddlers of their own, 8.3 billion people will walk the Earth; to feed them, the UN Food and Agriculture Organization estimates, farmers will have to grow almost 30 percent more grain then they do now.  Connoisseurs of human fecklessness will appreciate that even as humankind is ratchetting up its demands on soil, we are destroying it faster than even before.  "Taking the long view, we are running out of dirt," says David R. Montgomery, a geologist at the University of Washington in Seattle.  Journalists sometimes describe unsexy subjects as MEGO: My eyes glaze over.  Alas, soil degradation is the essence of MEGO.

A solution however is at the cusp of conception as scientific researchers unearth greater understanding of the Amazonian superdirt known as Terra Preta.

Terra Preta, or "Black Earth", a black nutrient rich soil discovered in the Amazon in areas not recognized for their plentiful soil.  Carbon dating tells us the its age dates back over 2,000 years.

The key ingredient is activated carbon in the charcoal, which was placed in the soil through "slash and smoulder" farming techniques practiced by the ancient Amazonians.   Benefits of this carbon rich soil: increased water/nutrient retention, symbiotic relations with mycorrhizal fungi, allowing better nutrient uptake through roots, and the ability for the soil to regenerate itself.

The incredible attribute of Terra Preta, besides its ability to retain nutrients over hundreds of years, is that its actually artificial.  Scientists have only found the soil around ancient settlements.

Because of the geographical distinct areas in which the soil was found, researchers have theorized that a dense civilization of networked villages once existed in the Amazon, and appears to show a form of organization that permits density without significant hierarchy.

Here's an alternate mode of organization--a networked "grid," "lattice," or "peer-to-peer" structure of small, minimally self-sufficient villages, or "rhizome" as proposed in my article The Hamlet Economy.  The Xingu settlement structure seems consciously model itself in the latter pattern.  Heckenberger even notes that each village was surrounded by a buffer zone of "managed parkland," exactly the kind of fall-back, resiliency-enhancing production zone that I recommended for rhizome.  

Did this Xingu civilization really develop a dense, ecologically sustainable civilization without hierarchal structure? Or did they simply find a new way to impose hierarchy without developing the signatures of "central places"? Was this a conscious reaction to prior abuses of hierarchy , or simply an expedient to survival  in the dense forests and poor agricultural soils of the Amazon?  We don't know the answers to these questions at the time, but the research Heckenberger and his colleagues suggests that there is still a great deal for us to learn from the past about how we can best live in the future.

How can we use Terra Preta?  

Burning or charring biomass has several benefits.  If biochar (remnants after burning biomass) is redistributed back into the soil it replenishes it and maintains nutrient content, higher water/nutrient retention, thus producing higher yields of crops with smaller plots of land using less pesticides.  Burning the biomass reduces landfill waste while also providing energy resources, decreasing reliance on fossil fuels.  The process is essentially carbon-free, as all carbon produced is returned to the soil and absorbed by planting.

The ability to artificially create nutrient rich soil while simultaneously providing energy and waste reduction has serious global environmental benefits.

Conceptually, regions ravished with poor farming practices which left landscape wastelands of barren soil could be given a "second chance" at providing food for impoverished lands.

Michael Pollan has written extensively about the necessity for a complete overhaul of our food infrastructure.  A system created through accessibility to fossil fuels.  Government subsidizing produced industrial sized farming encouraging growers to "get big, or get out."  These subsidies allowed large monoculture commodities, lowering grain prices which then allowed monocultures of animal farming.  So meat and dairy animals migrated from farm to feed lots.  The implications of this as Pollan writes permeates through the diet and failings of our current health care system, to farms becoming one of America's biggest sources of pollution.  By taking animals off the farm and into feed lots, as Wendell Berry observed, is to take an elegant solution - animals replenishing the fertility that crops deplete - and neatly divide it into two problems: a fertility problem on the farm and a pollution problem on the feedlot.  The former problem is remedied with fossil-fuel fertilizer; the latter is remedied not at all. 

Our food system also has national security implications.  At his valedictory press conference in 2004, Tommy Thompson, the secretary of health and human services, offered a chilling warning, saying, "I, for the life of me, cannot understand why the terrorists have not attacked our food supply, because it is so easy to do."

Pollan stresses the need for sovereign food resources, and the only coherent economically and environmentally way is through an infrastructure of satellite cities each containing local farming production for a majority of their food needs.

It's about reducing the fossil fuel costs associated with our food, increasing the number of smaller, polyculture farms that incorporate animals for soil replenishment, reduction in pesticides and fertilizers due to healthier soils and shorter distribution distances. With each satellite city growing its own, it eradicates reliance on foreign imports, and possibilities of strategic terrorist attacks on food supplies.

Smaller mini-cities, designed with all mixed-use essentials, and assuming residents will also choose to work in the area, drastically reducing fuel consumption.  An imperfect example could be Reston VA, if better equipped with high-yielding, Terra Preta based community farms and year-round producing hydroponic greenhouses.  

Of course none of this is likely to happen, as Pollan pleads to the next president, unless governmental action is taken to restructure our food system, and city and regional planning officials incorporate community farming systems as design requirements.

Designing these networks of satellite cities, connected by buffer zones of "managed parklands" as did the ancient Amazonians, or "managed farmlands" rather, will preserve landscapes, effectively managing large swaths of areas, instead of completely desecrating industrial farmlands, only to dedicate smaller tracts for pristine preservation.

 

 

Architectural Mint

{Back and front of the winning design: Source}

Very cool bit about the winning entry of an architecture competition organized by The Dutch Ministry of Finance for which a selected group of architectural offices and artists were invited not to design a building, but the new 5 euro commemorative based from the theme 'Netherlands and Architecture.  From the Royal Dutch Mint:

The Architecture five-euro coin was designed by artist Stani Michiels (b. 1973).  The design on the obverse of the coin pays tribute to the history of Dutch Architecture, with the portrait of Queen Beatrix being distinctively constructed using the names of important architects from Dutch history.  The artist used the internet as a popularity-meter to determine the names' order of appearance.

On the back side of the coin he treated the edge of the coin as a book shelve.  The books rise as buildings towards the center.  Through their careful placement they combine to outline the Netherlands, while birds' silhouettes suggest the capitals of all the provinces.  The following scheme reveals the process.

{Breakdown of the Design Evolution: Source}

{The artist created his own single line font in order to manipulate the text for the image, while still allowing it to be readable: Source}

I have to wonder what type of design processes influenced our dept. of treasury?

Thanks Adam R.

 

Rivers and Tides

Whether each of us can sense it or not, we all share a strong connection to the land.  Perhaps some better wired for tuning in to the processes from which we came and will return, one probably more then most is land artist Andy Goldsworthy.

I just watched a documentary following his work entitled Rivers and Tides, which portrays his intimate relationship with the processes of nature, and his ability to interpret them through his art as if a hidden language has been written by the landscape.

He states in the film that his art is about trying to understand the elements of nature, and through understanding can you only then feel the heart of it, and that we often misread the landscape when we think of it as being pastoral or pretty, when there is a darker side to it.

The blinder so many of us put up to this darker side he speaks, death, specifically the death of landscape, we find taboo as we desperately search for ways to keep it shiny and green against all odds.  It speaks to our broad disconnection and misunderstanding of the natural processes which Goldsworthy works amongst.

His work deals directly with time, the flow of nature, water, growth.  In the rock cone sculpture he builds, just before it succumbs to the incoming sea tide he explains that his work is not created to be destroyed by the sea, but to be given to the sea.  It's as if by doing so, you accept creation and death as part of the processes of nature.

While fascinated by his symbiosis with the landscape, it also frustrated me that too few landscape architects share this same connection, and find it necessary to perpetually create projects aimed to outlast time, and fight against the motions of nature.  Yes, many would find it hard to secure funding for a project that withers away after the perils of four extreme seasons.  But I'd love to see a project designed to embrace these occurrences.  To age gracefully if you will, intentionally allowed to show it's signs of aging, which ultimately link to the story of place.

Anyone know of any?


On Asphalt I

On Asphalt is an initiative created by Paula Meijerink, Assistant Professor of Landscape Architecture at the Harvard Graduate School of Design and founding principle of W-A-N-T-E-D, a design studio in the Boston Area.

The project aims to change the perception of asphalt, which surrounds us in our everyday lives, as something which can be more then simply a utilitarian use.  From their site:

The asphalt landscape is the most public of all landscapes, at the same time the most undervalued.  Asphalt is one of the most liberating inventions that shaped the 20th century world.  It allows us to fly and drive everywhere we desire - making the entire world accessible to us.  Our association with asphalt occurs on a daily basis; our streets are paved with it, we park our car on it.  Asphalt is everywhere around us.  Yet asphalt is for most of us a hated material.  Public spaces such as parks and plazas are often seen as belonging to the traditional realm of landscape architecture.  However, parking lots and roads are perhaps the most public spaces of all, as we use these spaces on a daily basis.  But as a landscape space, they are often only serving the utilitarian function of accommodating the car, which it does excellently.

More to come on the projects up and coming initiatives.  Until then enjoy the "CARtoons" from freelance cartoonist and illustrator Andy Singer. Inspired by several bad encounters with asphalt, he created a book of cartoons and essays depicting negative impacts on our culture and environment by our auto-obsessed society.