Urban Bliss Dissemination

{Photo by Ryan Brenizer}

For many unfortunate souls growing up inevitably means a life of fiscal concern and the overburdening stress of caring for families in a world filling with life changing systems.  It's OK, that's life.

But I've noticed through reminiscent conversations with friends over a bottle or two of Pinot that we never lose our affinity for childhood memories.  Many of us share a common thread, especially intergenerationally through similar cartoons we watched, games we played, and for me, our desperate plea bargains with our parents in an attempt to acquire the coveted new release of Air Jordans.

So it would seem that others outside of our inner circles might also share this affinty for remembering the freedom of our youth and joining in a public realm to relive it.

That's the essence of Newmindspace, which simply stated on their facebook page is a "quest to turn the cities of the world into giant playgrounds".

Newmindspace organizes free, fun, all-ages events like parties on subway cars, public pillow fights, giant games of capture the flag on city streets, massive bubble battles, public art installations and much more. Newmindspace is committed to reclaiming public space, inventing new ways of having fun, and creating community.

Created by Lori Kufner and Kevin Bracken while only 22 yrs. old, the initiative is gaining worldwide attention and has been featured in The New York Times, CNN, and The Village Voice.  Bracken says, "to think of an idea for an event, we take a favorite childhood activity such as a pillow fight or a game of capture the flag, remove it from its traditional setting, host the event on a concrete surface, and invite everybody.  Our goal is to overthrow the dominant entertainment paradigm, which is defined by passive, solo consumption experiences like watching television. We want to replace it with a more participatory, social culture where people actively create communities and take advantage of the richness of urban life. We also seek to reclaim public space from privatization by corporate sponsorship."

Reclaiming public spaces.  This is of course wonderful and possibly a bit more complicated to accomplish depending on your locale.  I immediantly imagined if a giant pillow fight were to be organized in my town of Newport Beach, which has more "NO' this or that signs then any city I've visited.  Believe or not, ala Footloose style, there are strongly enforced No Dancing rules at several local establishments.

But fortunately in more rationalized thinking parts of the world the events have been successful, and I wonder if these urban social events can influence design and landscape architecture.  Could we design ephemeral spaces which conjugate events of pure childlike bliss?  Parks whose elements entice spontaneous acts of innocent socially interactive play. Can communities with a same spirit of building a fort create their own urban playgrounds?  If this is possible, could we eradicate the need for the beauricratic red tape and political nuances of public works projects?  Hopefully you understand I'm thinking conceptually, but is it in ourselves to let out our inner child to actually build such spaces, or will the fun police prevail?

+ Via Behancemag

 

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Edgar Müller's 3D Street Art

{The Crevasse, a 3D image by Edgar Müller, in Dun Laoghaire, Ireland. The 250-square metre image, which took five days to paint, appears to show a fault in the earth's crust}

{Müller at work on The Crevasse. It took the artist and five assistants five days to create the effect}

{A shark bursts from the pavement in this street painting created for the Illusion of Art festival in Hong Kong}

{Lava Burst transformed a typical German street into a scene from the apocalypse for the 30th anniversary of the international competition of street painters in Geldern}

+ Spotted on Super Colossal

+ Images Via Guardian.co.uk and by Edgar Müller/Rex Features

 

 

 

Will we succumb to the Ice Pirates?

{The Ice Pirates, 1984}

Not that I'm the first to foresee a future where water is added to the mix of natural resource wars, but this article in Reuters discussing potential water rationing in Los Angeles certainly hints at a future where obtaining water will require more then simply turning on the faucet.

In making such a statement I was pointed to a film which prophesied an apocalyptic water influenced Earth long before Kevin Costnar grew gills.  The film is The Ice Pirates, which takes place in a future where water is an immensely valuable substance, both as a commodity and as a currency.  Princess Karina is a spoiled princess who purchases captured space pirates. They then proceed to locate a "lost" planet that contains massive amounts of water.

The movie looks ridiculous, and meant to be tongue and cheek, but the core story line which might of seemed far fetched in 84' doesn't appear to be so much now.  We have alternatives for oil if we decide to use them, but what alternatives are there for water and land?  As Mark Twain once said, and I suppose it could in some way apply to water as well, "Buy land, there not making it any more".

And this is where it would begin.  Deep pocket developers, opportunists hire geologists and hydrologists to find buried reservoirs and secure the land rights, thus obtaining access and distribution rights to the water below. Taking a Daniel Plainviewesque strategy from Tnere Will Be Blood, hostile take overs will ensue, but this time it's not for commodity but a life source with no alternatives. The events proceeding inevitably would lead to violent struggles for any immense water resources.

{Suck, Suck, Suck. Spaceballs, 1987}

Assuming we reach a point where water is so scarce it causes military coups and guerrilla warfare, will technology reach a point that will enable us to send our own Ice Pirates out to secure intergalactic resources to replenish our own?  As with The Ice Pirates, will we resort to other actions once mocked in Spaceballs, sucking the resources out of the Universe's Druidias?

Terragrams: Delivering the Landscape

I've been following Terragrams for some time now meaning to post about it, but it unfortunately fell into that deep cavern of my brain in which good thoughts sometimes go and rarely return.

With a certain dearth of media platforms available presenting the voices of landscape architecture's acclaimed practitioners, Terragrams is a welcomed and needed initiative from creator Craig Verzone.  From the site:

Terragrams is a podcast designed to capture the voices of those responsible for forming our constructed landscapes, both promising practitioners as well as their mature counterparts. Using the face-to-face interview as its desired medium, the project is the first cross-generational digital archive aimed solely at collecting conversations with and about professionals in the field of landscape architecture. Terragrams publishes regularly, free-of-charge and intends to go beyond collecting sound bites. Interviews run approximately 60 minutes and allow for a very wide range of inquiry; they are first-hand, intimate and exclusive.

Future guests include John Beardsley, René Bihan, Gabriele Kiefer, Ken Smith, Maria Goula and Dan Kiley.

No doubt looking forward to additional interviews and developments. 

Restoring Historic Jeddah

On 5 February, the 2009 IMAGINA Award winners were announced during the IMAGINA 3D Community Event in Monaco from 4 to 6 February. Around 30 countries from all over the world participated in the competition which awarded 14 prizes to the best 3D works. In the category “Architecture Urbanism Landscape Territory”best film award was given to:

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